Collected Data
"You know, I guess I'm kind of attracted to weird tone projects. I'm sort of a real cult movie guy."
“Well, I think that the challenge with the Deadpool character — editing-wise and I think filmmaking-wise — is his greatest asset and also his greatest challenge. It is the sort of irreverent sense of humor and the meta thing, which is the thing that we love and the fans love, but it completely subverts dramatic tension, momentum, all these sorts of things that you need to kind of engage the audience in the movie. If you're making a 20-minute cartoon, you can maybe just have like joke-meta-joke-meta-joke-meta, and then kind of [say] "The End," and have people like it. But if you're going to do a two-hour movie, you somehow need to have a story, and emotional engagement, while constantly kind of digressing and subverting and have these two things be harmonious.”
This film editor kept Deadpool from flying off the rails
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