Collected Data
"Top 10: Errol Morris"
29/09/15 10:12 Filed in: Link
Tom Grater for Screen Daily;
Top 10: Errol Morris
Here’s Errol Morris’ list;
• Bright Leaves (USA, 2002) dir. Ross McElwee
• Fata Morgana (Germany, 1971) dir. Werner Herzog
• It Felt Like a Kiss (UK, 2009) dir. Adam Curtis
• Land Without Bread (Spain, 1932) dir. Luis Buñuel
• Let There Be Light (USA, 1946) dir. John Huston
• Man With A Movie Camera (USSR, 1929) dir. Dziga Vertov
• One Day in the Life of Andrei Arsenevitch (France, 1999) dir. Chris Marker
• Tales of the Grim Sleeper (USA/UK, 2014) by Nick Broomfield
• The Emperor’s Naked Army Marches On (Japan, 1987) dir. Kazuo Hara
• Welfare (USA, 1975) dir. Frederick Wiseman
They are also screening a retrospective of his work, including one of my all time favourite films, Fast, Cheap and Out of Control.
Errol Morris, the reverred documentary filmmaker, has revealed his top 10 programme for this year’s International Documentary Film Festival Amsterdam (Nov 18-29).
Each year, the festival invites an important figure in the world of documentary to compile a list of ten important works of factual film, all of which will be screened as part of the programme.
Top 10: Errol Morris
Here’s Errol Morris’ list;
• Bright Leaves (USA, 2002) dir. Ross McElwee
• Fata Morgana (Germany, 1971) dir. Werner Herzog
• It Felt Like a Kiss (UK, 2009) dir. Adam Curtis
• Land Without Bread (Spain, 1932) dir. Luis Buñuel
• Let There Be Light (USA, 1946) dir. John Huston
• Man With A Movie Camera (USSR, 1929) dir. Dziga Vertov
• One Day in the Life of Andrei Arsenevitch (France, 1999) dir. Chris Marker
• Tales of the Grim Sleeper (USA/UK, 2014) by Nick Broomfield
• The Emperor’s Naked Army Marches On (Japan, 1987) dir. Kazuo Hara
• Welfare (USA, 1975) dir. Frederick Wiseman
They are also screening a retrospective of his work, including one of my all time favourite films, Fast, Cheap and Out of Control.
An animal trainer, a gardener specialised in converting yew hedges into animal figures, an expert in the field of mole rats and a robot technician are the protagonists of Errol Morris’ playful philosophical exercise about the relationship between man and animal, culture and nature.
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